How did OKRE support collaboration

OKRE funding enabled extensive collaboration with medical professionals, researchers, and young people with lived experience of cancer. This had a direct and lasting impact on how the characters and their experiences are represented in the film.

How collaboration improved authenticity

Authentic Portrayals

  • George worked with Dr Rachael Hough (Consultant Haematologist at UCLH), who advised on authenticity with portraying situations such as medication dosages, hospital architecture and treatment side effects.
  • He also interviewed a young person who was also diagonised and now works at a camp, gaining lots of insights from this perspective. Vomit realism, scarring make-up designs were also run past doctors and those with lived experience to ensure authenticity.
  • George also interviewed Dr Elizabeth Rapa and Dr Louise Dalton (Oxford University) leaders in youth bereavement research. Scenes were informed from research with anticipatory grief, trauma, hallucinatory memory, peer loss and emotional detachment.
  • The film's editor, Caitlin Spiller, has personal lived experience of cancer, bringing a deep sensitivity to tone, pacing, and authenticity in the edit. Her input shaped key emotional beats and has been invaluable in crafting scenes with medical nuance.

Working with Survivors

  • George cast two young people with lived experience of cancer with speaking roles in the film. Young survivors highlighted the difficulty of life after treatment, marked by anxiety, loss of structure, and pressure to appear “fine.”
  • These experiences shaped the characters and tone, emphasising that the film goes beyond comedy to explore deeper emotional realities. The projects collaborations showed that adolescent grief is complex and non-linear, often expressed through humour and openness.
  • Workshops with survivors informed realistic behaviours, relationships, and camp details, creating a lived-in environment where vulnerability and comedy coexist.

Movement Coaching

  • Movement work with Polly Bennett explored how trauma and treatment are held physically in the body.
  • This shaped performances in subtle but important ways, allowing actors to communicate anxiety, withdrawal, and resilience through physicality rather than dialogue.